June is the directorial debut of producer Suhrud Godbole, who has earlier produced offbeat films like Pune 52 and Baji. The film promises to be a scarefest while retaining the emotional core of the narrative.ĭirector: Vaibhav Khisti and Suhrud Godbole Bali stars Swwapnil Joshi, who has never been seen in a horror film before. The son encounters a ghost, which may or may not be friendly, and in order to save his son, the father may have to cross every line. He’s following it up this year with Bali – The Victim, another entry in the same genre.īali tells the story of a father and son, with a supernatural twist. In 2017, Furia gave us Lapacchapi, a well-crafted horror film, probably the first of its kind for Marathi. Vishal Furia was recently credited for his work as co-director on Criminal Justice, the Indian adaptation of the critically acclaimed BBC drama series. Adinath is also playing the lead here, joined by a strong cast that includes Subodh Bhave and Kishor Kadam.
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The film is based on the true story of one man’s journey to make his village selfsufficient, against all odds. Paani is about the issue of water shortage, a natural calamity that much of the country is facing. It is 2019’s National Award winner for Best Feature Film on Environment Conservation.
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Paani is the directorial debut of Adinath, and it’s already making headlines. It is expected to begin the year with a bang.įor the past decade, Adinath Kothare has been one of the prominent young actors that Marathi industry has seen, and before that, he worked as an assistant director on the films directed by his father, the senior Marathi actor–director, Mahesh Kothare. The film has a fantastic ensemble of major stars, from Ankush Choudhari and Sai Tamhankar, to Sonalee Kulkarni and Ameya Wagh. A film about corruption by power, it mixes humour with drama, resulting in a concoction that may have something for everyone in the audience. Dhurala is the story of a small-town political family, divided by their ambition to rule. Vidwans and Patwardhan have often worked as a team, and their last great success together was Double Seat. The new lineup, consisting of almost exclusively young filmmakers, should be up for the challenge.Īfter the major success of Anandi Gopal, a biopic of Dr Anandibai Joshi and her husband Gopalrao, Sameer Vidwans is returning with Dhurala, a political satire written by and based on a play by Kshitij Patwardhan. The challenge for 2020 is to see if the industry can reverse the trend. Among other films, there were interesting titles like Girlfriend, Welcome Home, Dhappa, but the audience remained divided in their response.
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There were no significant hits other than Anandi Gopal, and the first part of Bhai: Vyakti Ki Valli. In spite of the great promise that Marathi industry’s lineup presented at the beginning of 2019, the year proved to be lukewarm in terms of output. The industry’s lineup this year almost exclusively consists of young filmmakers